Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
