Written Paper
Section I
Question 2 - 2002 HSC
Discuss how the practices of architects and/or designers are shaped by material and conceptual choices.
Written Paper
Question 4 - 2002 HSC
Explain the extent to which you agree or disagree with the statement that ‘Art critics and art historians create myths and generate debates.’ Give reasons for your views.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2002 HSC
Explain how contemporary art has shaped our understanding of the different roles of artists.
Written Paper
Section II
Question 8 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Written Paper
Section II
Question 10 - 2002 HSC
Explain how a postmodern point of view challenges the idea of art as unique and precious.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Designed Objects - 2002 HSC
Produce an individual work or series of works with a focus on 3D object design. This expressive form includes wearables, jewellery, architectural design and product design.
Submitted Body of Work
Documented Forms - 2002 HSC
Submitted Body of Work
Painting - 2002 HSC
Produce an individual work or series of works with a focus on painting.
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Textiles and Fibre - 2002 HSC
Produce an individual work or series of works with a focus on textiles and fibre.
Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Digital Media - 2001 HSC
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Drawing - 2001 HSC
Produce a body of work demonstrating understanding of artmaking as a practice, and representing the artist's ideas and interests through interpretation of subject matter and use of expressive forms.
Submitted Body of Work
Painting - 2001 HSC
Submitted Body of Work
Photography - 2001 HSC
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
Submitted Body of Work
Sculpture - 2001 HSC
Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Digital Media - 2001 HSC
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Drawing - 2001 HSC
Produce a body of work demonstrating understanding of artmaking as a practice, and representing the artist's ideas and interests through interpretation of subject matter and use of expressive forms.
Submitted Body of Work
Painting - 2001 HSC
Submitted Body of Work
Photography - 2001 HSC
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
Submitted Body of Work
Sculpture - 2001 HSC
Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Digital Media - 2001 HSC
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Drawing - 2001 HSC
Produce a body of work demonstrating understanding of artmaking as a practice, and representing the artist's ideas and interests through interpretation of subject matter and use of expressive forms.
Submitted Body of Work
Painting - 2001 HSC
Submitted Body of Work
Photography - 2001 HSC
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
Submitted Body of Work
Sculpture - 2001 HSC
Written Paper
Section I
Question 1 - 2002 HSC
Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500
Written Paper
Section I
Question 1 - 2001 HSC
Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing
Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing
Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting
Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983
Written Paper
Section I
Question 2 - 2001 HSC
Discuss the statement, 'Technological advances have transformed the practices of artists.'
Written Paper
Section II
Question 3 - 2002 HSC
Assess the effect of time on the practice of artists.
Written Paper
Section II
Question 5 - 2002 HSC
Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'
Written Paper
Section II
Question 7 - 2001 HSC
Evaluate the importance of artists intentions in the production and meaning of artworks.
Written Paper
Section II
Question 8 - 2001 HSC
Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.
Written Paper
Section II
Question 9 - 2002 HSC
Evaluate the view that art reflects the social values of a particular time and place.
Submitted Body of Work
Collection of Works - 2002 HSC
Produce an individual work or series of works with a focus on using different expressive forms.
Submitted Body of Work
Digital Media - 2001 HSC
Submitted Body of Work
Drawing - 2002 HSC
Produce an individual work or series of works with a focus on drawing.
Submitted Body of Work
Drawing - 2001 HSC
Produce a body of work demonstrating understanding of artmaking as a practice, and representing the artist's ideas and interests through interpretation of subject matter and use of expressive forms.
Submitted Body of Work
Painting - 2001 HSC
Submitted Body of Work
Photography - 2001 HSC
Submitted Body of Work
Photomedia - 2002 HSC
Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.
Submitted Body of Work
Printmaking - 2002 HSC
Produce an individual work or series of works with a focus on printmaking.
Submitted Body of Work
Sculpture - 2002 HSC
Produce an individual work or series of works with a focus on Sculpture.
Submitted Body of Work
Sculpture - 2001 HSC
