Component

Question 1

Written Paper Section I Question 1 - 2002 HSC

Robert Rauschenberg silk screen printing in his New York studio, 1964; Robert Rauschenberg, Retroactive 1, 1964; Alessi packaging for Juicy Salif (lemon squeezer), 1989, Aldo Rossi; drawing for the Alessi La Cupola espresso coffee maker, 1989; Michelangelo Buonarroti, Pietà, c.1500

Question 1

Written Paper Section I Question 1 - 2001 HSC

Gabriele Münter, 1877–1962, Germany, Landscape with Church, 1910; Photograph of audience viewing Nam June Paik’s installation, The Chase Video Matrix, 1992; Photograph of audience viewing Jeff Koon’s installation, Puppy, 1996; Photograph of Clifford Possum Tjapaltjarri painting Yinyalingi (Honey Ant Dreaming Story), 1983; Interview with Clifford Possum Tjapaltjarri by art writer Vivien Johnson, 1992–93; Photograph of exhibition East to West: Land in Papunya Tula Painting, including artworks by Clifford Possum Tjapaltjarri, 1983

Question 2

Written Paper Section I Question 2 - 2002 HSC

Discuss how the practices of architects and/or designers are shaped by material and conceptual choices.

Question 2

Written Paper Section I Question 2 - 2001 HSC

Discuss the statement, 'Technological advances have transformed the practices of artists.'

Question 3

Written Paper Section II Question 3 - 2002 HSC

Assess the effect of time on the practice of artists.

Question 4

Written Paper Question 4 - 2002 HSC

Explain the extent to which you agree or disagree with the statement that ‘Art critics and art historians create myths and generate debates.’ Give reasons for your views.

Question 5

Written Paper Section II Question 5 - 2002 HSC

Argue a case for or against the statement that 'As the audience changes, so too does the meaning of artists' works.'

Question 7

Written Paper Section II Question 7 - 2002 HSC

Explain how contemporary art has shaped our understanding of the different roles of artists.

Question 7

Written Paper Section II Question 7 - 2001 HSC

Evaluate the importance of artists intentions in the production and meaning of artworks.

Question 8

Written Paper Section II Question 8 - 2002 HSC

Evaluate the view that art reflects the social values of a particular time and place.

Question 8

Written Paper Section II Question 8 - 2001 HSC

Explain how art communicates as a system of signs and signals. Discuss the limitations of this view of art.

Question 9

Written Paper Section II Question 9 - 2002 HSC

Evaluate the view that art reflects the social values of a particular time and place.

Question 10

Written Paper Section II Question 10 - 2002 HSC

Explain how a postmodern point of view challenges the idea of art as unique and precious.

Collection of Works

Submitted Body of Work Collection of Works - 2002 HSC

Produce an individual work or series of works with a focus on using different expressive forms.

Designed Objects

Submitted Body of Work Designed Objects - 2002 HSC

Produce an individual work or series of works with a focus on 3D object design. This expressive form includes wearables, jewellery, architectural design and product design.

Digital Media

Submitted Body of Work Digital Media - 2001 HSC

Documented Forms

Submitted Body of Work Documented Forms - 2002 HSC

Drawing

Submitted Body of Work Drawing - 2002 HSC

Produce an individual work or series of works with a focus on drawing.

Drawing

Submitted Body of Work Drawing - 2001 HSC

Produce a body of work demonstrating understanding of artmaking as a practice, and representing the artist's ideas and interests through interpretation of subject matter and use of expressive forms.

Painting

Submitted Body of Work Painting - 2002 HSC

Produce an individual work or series of works with a focus on painting.

Painting

Submitted Body of Work Painting - 2001 HSC

Photography

Submitted Body of Work Photography - 2001 HSC

Photomedia

Submitted Body of Work Photomedia - 2002 HSC

Produce an individual work or series of works in black and white and/or colour. The work(s) can be made using wet (darkroom) and/or digital practices.

Printmaking

Submitted Body of Work Printmaking - 2002 HSC

Produce an individual work or series of works with a focus on printmaking.

Sculpture

Submitted Body of Work Sculpture - 2002 HSC

Produce an individual work or series of works with a focus on Sculpture.

Sculpture

Submitted Body of Work Sculpture - 2001 HSC

Textiles and Fibre

Submitted Body of Work Textiles and Fibre - 2002 HSC

Produce an individual work or series of works with a focus on textiles and fibre.